Links to Open Access publications and self-archived files marked in green.
Have, Iben and Vadim Keylin (eds.). Sound and Participation. SoundEffects vol. 9 iss. 1. (2020).
Keylin, Vadim. Creative Agencies in Participatory Sound Art: Two Case Studies. Organised Sound 28/1 (published online ahead of print issue).
Keylin, Vadim. Sound Acts: Towards a Sonic Pragmatism. Sound Studies 7/1: 83-99.
Keylin, Vadim. Postcritical Listening: Political Affordances in Participatory Sound Art. Organised Sound 25/3: 353-361.
Keylin, Vadim. Crash, Boom, Band: Affordances for Participation in Sound Art. SoundEffects 9/1: 98-115.
Keylin, Vadim. Medialities of Participation in Sound Art. In Cultures of Participation: Arts, Digital Media, and Cultural Institutions, edited by Birgit Eriksson, Carsten Stage and Bjarki Valtysson: 129-146. Routledge.
Keylin, Vadim. Politics of Participation in Benoit Maubrey’s Speaker Sculptures. In Invisible Places: Sound, Urbanism and Sense of Place, Proceedings, edited by Raquel Castro and Miguel Carvalhais: 93-100. Invisible Places. [Open Access]
Keylin, Vadim. Sound Art as Participatory Practice and Institutional Critique. Practices and Interpretations 2/4: 19-30.
Keylin, Vadim. Sound Sculptures in Public Space: Benoit Maubrey’s Speaker Sculptures. Urban Studies and Practices 2/4: 51-58. [In Russian]
Keylin, Vadim. Unauthored Music and Ready-Made Landscapes: Aeolian Sound Sculpture. Gli spazi della musica 4/2 (2015): 68-85.
Keylin, Vadim. Corporeality of Music and Sound Sculpture. Organised Sound 20/2: 182-190.
Keylin, Vadim. Electric Circuit as a Musical Instrument and a Graphic Score: Peter Vogel’s Sound Sculptures. Opera Musicologica 2/20 (2014): 39-50. [In Russian; English translation]