I am a sound studies scholar and poet currently based in Hamburg.
My research profile is situated at the intersection of sound studies and digital culture studies approached from the perspective of pragmatist philosophy and with a particular focus on participatory and technologically-enabled creative practices. My first monograph Participatory Sound Art: Technologies, Aesthetics, Politics was published by Palgrave Macmillan in 2023. Currently, I am investigating forms of subjectivity and selfhood manifested by oral/aural poetry in digital culture, as part of ERC-funded project Poetry in the Digital Age.
My creative interests concern primarily the various relationships between text and sound: verse features (rhythms, intonations, rhyme, alliteration), sound poetry, text scores, opera librettos. I write in Russian and English.