Links to Open Access publications and self-archived files marked in green.
Monographs
Keylin, Vadim. Participatory Sound Art: Technologies, Aesthetics, Politics. Palgrave Macmillan (2023).
Journal issues
Have, Iben and Vadim Keylin (eds.). Sound and Participation. SoundEffects vol. 9 iss. 1. (2020).
Articles
2024:
Keylin, Vadim and Benoît Maubrey. Aesthetics and Politics of Participation in Benoît Maubrey’s Speaker Sculptures. Leonardo 57.6 (forthcoming).
Dürr, Rebecka and Vadim Keylin. “Be {B}{t}. Be poet”: Beatboxing as a Poetic Device. In Literarische Organotechnik: Studien zu einer Diskurs- und Imaginationsgeschichte, edited by Lars Koch, Sarah Neelsen and Julia Prager: 239-255. De Gruyter.
Keylin, Vadim. “A Human Way to Talk”: Poetry and Synthetic Voice. In Proceedings of the 2023 Aarhus International Conference on Voice Studies, edited by Míša Hejná et al.: 79-83. De Gruyter/Sciendo.
2023:
Keylin, Vadim. The lyric ear: On the intersubjective poetics of listening scores. Seismograf Peer 30.
Keylin, Vadim. Interactive and Participatory Sound. In The Palgrave Handbook of Intermediality, edited by Jørgen Bruhn, Asun López-Varela Azcárate and Miriam de Paiva Vieira: 1115-1133. Palgrave Macmillan.
Keylin, Vadim. Creative Agencies in Participatory Sound Art: Two Case Studies. Organised Sound 28/1: 13-24.
2022:
Keylin, Vadim. I make noise therefore I am: Aesthetics of sonic experimentation in participatory art and culture. In Sonic Engagement: The Ethics and Aesthetics of Community Engaged Audio Practice, edited by Sarah Woodland and Wolfgang Vachon: 177-189. Routledge.
2021:
Keylin, Vadim. Sound Acts: Towards a Sonic Pragmatism. Sound Studies 7/1: 83-99.
2020:
Keylin, Vadim. Postcritical Listening: Political Affordances in Participatory Sound Art. Organised Sound 25/3: 353-361.
Keylin, Vadim. Crash, Boom, Band: Affordances for Participation in Sound Art. SoundEffects 9/1: 98-115.
2019:
Keylin, Vadim. Medialities of Participation in Sound Art. In Cultures of Participation: Arts, Digital Media, and Cultural Institutions, edited by Birgit Eriksson, Carsten Stage and Bjarki Valtysson: 129-146. Routledge.
2018:
Keylin, Vadim. Politics of Participation in Benoit Maubrey’s Speaker Sculptures. In Invisible Places: Sound, Urbanism and Sense of Place, Proceedings, edited by Raquel Castro and Miguel Carvalhais: 93-100. Invisible Places. [Open Access]
Keylin, Vadim. Sound Art as Participatory Practice and Institutional Critique. Practices and Interpretations 2/4: 19-30.
Keylin, Vadim. Sound Sculptures in Public Space: Benoit Maubrey’s Speaker Sculptures. Urban Studies and Practices 2/4: 51-58. [In Russian]
2015:
Keylin, Vadim. Unauthored Music and Ready-Made Landscapes: Aeolian Sound Sculpture. Gli spazi della musica 4/2 (2015): 68-85.
Keylin, Vadim. Corporeality of Music and Sound Sculpture. Organised Sound 20/2: 182-190.
2014:
Keylin, Vadim. Electric Circuit as a Musical Instrument and a Graphic Score: Peter Vogel’s Sound Sculptures. Opera Musicologica 2/20 (2014): 39-50. [In Russian; English translation]